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La Traviata tickets

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La Traviata

Venue: Bolshoi Theatre

 
Theatre Square, 1
Moscow, Russia
125009
 
 
All dates

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Next performance (see season calendar above for other dates)
 
Event details
 
Composer: Giuseppe Verdi

The story of Violetta, told by herself...

The project has been brought to life by the international team, a world renowned Francesca Zambello is the director. It is already the third production for her at the Bolshoi Theater. (In 2002 she staged Turandot by G. Puccini, and in 2004 — for the first time at the Bolshoi — The Fiery Angel by S. Prokofiev).

Francesca Zambello:

“La Traviata — surely is one of the greatest operas ever written, and one of the most important works from the so-called” middle period “in the works of Verdi. For the first time ever the composer based his opera on a modern, popular, book which shocked the society, and not a myth, or, say, a play by Shakespeare. It was a real revolution, a real shock to the public: the opera, which tells about real people, living in the present, with real problems, the opera telling the story about love between an experienced woman and a very young man who, in addition, came from different social strata, about an incurable disease. And, please, note that La Traviata does not belong to those works where love overcomes all obstacles.

Today we no longer think about it. La Traviata is not perceived by us as a revolutionary product, but it seems to me that even now it is still very important to find in the characters that force and ‘intensity’ of emotions that shocked people.

For me and for all the staging team it is a huge honor to work on La Traviata at the Bolshoi Theatre. This opera has not been on a stage for rather a long time. And for us it is a chance to tell a story which seems to be well-known to everybody, but which nobody really knows. In this performance we will at the story via the perception of Violetta herself — a mysterious and beautiful woman, whom everyone loved and idealized, but — no one knew”.

 

Synopsis

Part One
Alfredo Germont arrives at a party at the home of Violetta Valéry, a renowned courtesan. She is surprised to learn of his devotion to her, and of his concern during her recent illness. Alfredo leads a toast to love; Violetta responds with a toast to pleasure and excitement. Feeling faint, she excuses herself to rest. Alfredo follows and begs her to allow him to love and care for her. She tells him she is not interested in such heroic commitment, but invites him to return the next day. Alone, she wonders if she is capable of experiencing love. Dismissing the idea as nonsense, she determines to live for freedom and pleasure alone. 

Violetta flees her extravagant life in Paris to be with Alfredo. After learning that she plans to sell her belongings to maintain their country retreat, Alfredo goes to Paris to pay their debts. While he is away, Giorgio Germont visits Violetta. He tells her that Alfredo, his son, intends to give her all his possessions. She tells the elder Germont that she would never accept and reveals that she is making sacrifices to maintain their life together. Although impressed by her nobility, Germont begs her to leave his son, as her association with the family will ruin his daughter’s future prospects. Violetta finally agrees, asking only that, after her death, Germont tell his daughter the truth. Later, when Alfredo receives a letter from Violetta, claiming she no longer loves him, he is devastated. 

Part Two
Violetta attends a party with her new protector, Baron Douphol. The men gamble, and Alfredo is the winner. Violetta pulls Alfredo aside and begs him to leave; he refuses and threatens to duel with the Baron. Unable to break her promise to the elder Germont, Violetta insists that she loves the Baron. Furious and hurt, Alfredo calls the guests together and publicly insults Violetta. 

Now on her deathbed and tended by Annina, Violetta re-reads a letter from Giorgio Germont. According to the letter, Alfredo went abroad after dueling with the Baron; his father wrote to him there, explaining Violetta’s sacrifice. Alfredo arrives, asking forgiveness and pledging eternal love. Violetta expresses hope for their future together, but she is very weak. Alfredo sends Annina for the Doctor. He arrives with Giorgio Germont, who reproaches himself for his earlier behavior toward Violetta. He asks forgiveness and pledges to accept her as a daughter, but he is too late.

 
Program details
 

Opera in two acts

Sung in Italian with Russian surtitles.

Running time: 2 hours 40 minutes.
Presented with one interval.

 

Libretto by Francesco Maria Piave based on the novel La dame aux Camélias by Alexandre Dumas, fils 

Music Director: Laurent Campellone
Stage Director: Francesca Zambello
Associated Director: Julia Pevzner
Set Designer: Peter John Davison
Costume Designer: Tanya McCallin
Lighting Designer: Mark McCullough
Chorus Master: Valery Borisov
Choreographer: Ekaterina Mironova

 

Conductor - Pavel Klinichev

Violetta Valéry - Dinara Alieva

Flora Bervoix - Elena Novak

Annina - Oxana Gorchakovskaya

Alfredo Germont - Oleg Dolgov

Giorgio Germont, Alfredo’s father - Vasily Ladyuk

Gastone, viscomte De Letorières - Sergei Radchenko

Baron Douphol - Alexei Pashiev

Marquis D’obigny - Nikolai Kazansky

Doctor Grenvil - Oleg Tsybulko

Giuseppe, Violetta’s servant - Vadim Tikhonov

 
Venue
 
Bolshoi Theatre
 

On 28 March (17 according to the old style) 1776, Catherine II granted the prosecutor, Prince Pyotr Urusov, the "privilege" of "maintaining" theatre performances of all kinds, including masquerades, balls and other forms of entertainment, for a period of ten years. And it is from this date that Moscow’s Bolshoi Theatre traces its history.

The Bolshoi building, which for many years now has been regarded as one of Moscow’s main sights, was opened on 20 October 1856, on Tsar Alexander II’s coronation day.

On 29 October 2002 the Bolshoi was given a New Stage and it was here it presented its performances during the years the Historic Stage was undergoing massive reconstruction and refurbishment.

The reconstruction project lasted from l July 2005 to 28 October 2011. As a result of this reconstruction, many lost features of the historic building were reinstated and, at the same time, it has joined the ranks of most technically equipped theatre buildings in the world.

The Bolshoi Theatre is a symbol of Russia for all time. It was awarded this honor due to the major contribution it made to the history of the Russian performing arts. This history is on-going and today Bolshoi Theatre artists continue to contribute to it many bright pages.

 

An inherent part of the Theatre’s activities is the presentation of concerts of symphony and chamber works, and of operas in concert performance, thus acquainting the public with works of all music genres. 

Now that the Bolshoi Theatre has two stages at its disposal, one of them its legendary Historic Stage which is at last back in action again, it hopes to fulfill its mission with an even greater degree of success, steadily extending the sphere of its influence at home and throughout the world.

 

The Bolshoi has to a large extent reacquired its authentic historical appearance, lost during the years of Soviet power. The auditorium and part of its suite of halls now look as they were originally conceived by Bolshoi Theatre architect Alberto Cavos. While the former imperial foyer halls have been given back their 1895 decor, this was the year they were redecorated for Emperor Nicholas II’s coronation celebrations. Each reproduced or restored element of interior decoration was made the object of a special project for which separate documentation was collected based on numerous archival and on-site researches.

In 2010 the auditorium suite of halls were renovated: the Lobby, the Main or the White Foyer, the Choral, Exhibition, Round and Beethoven halls. Muscovites were able to admire the restored facades and the renovated symbol of the Bolshoi Theatre — the famous Apollo quadriga, created by the sculptor Peter Klodt.

The auditorium has regained its original beauty. And, just like the 19th century theatergoer, so each member of the public today will be dazzled by its extravagant and at the same time “light” décor. The bright crimson, scattered with gold, draping of the interiors of the boxes, the different on each level stucco arabesques, the Apollo and the Muses plafond — all this contributes to the auditorium’s breath-taking impact.

Special attention was paid to the restoration of the legendary acoustics. International experts did extensive research work and made sure all their technical recommendations were carried out to the letter.

State of the art machinery has been installed in the stagehouse. The Bolshoi Theatre Historic stage now consists of seven two-tier rising and descending platforms. These platforms can easily change their positions, thus the stage can become horizontal, raked or stepped. The stage and backstage area can be united which creates a stage space of incredible depth.

New upper stage equipment, remotely controlled by computer, makes it possible to derive maximum use from lighting, sound and visual effects. Cutting edge rigs have been installed for the deployment of lanterns, special effects apparatus and acoustics. 

The orchestra pit has been provided with extra space under the forestage. This makes it one of the biggest orchestra pits in the world seating up to 130 musicians, which is necessary for the performance of such large-scale works as, for instance, Wagner operas.

The installation of state of the art stage equipment was a unique world-scale project. The reconstruction has doubled the Theatre’s total floor space. Thanks to the expansion of the Theatre’s existing underground spaces (under stagehouse) and to the construction of new underground space under Theatre Square, this has been achieved without any change to the Theatre’s external appearance.

Thus the Theatre has acquired badly needed new space, including an underground concert and rehearsal room, which has inherited its name from the Beethoven Hall, under the Theatre lobby. This hall is a multi-functional space which can be used in different ways. It consists of five main platforms: the central platform is the stage itself, two platforms to the right and left of it can be used either to increase the size of the stage or as audience space. The two remaining platforms form the main space of the auditorium. All of the platforms can be raised to foyer level to create a space for holding formal, receptions. Apart from this concert hall and its auxiliary premises, the rest of the underground space under Theatre Square accommodates a large number of technical, service and staff rooms.

The Bolshoi Theatre reconstruction project also included the renovation of the Khomyakov House, a protected architectural monument of the first half of the nineteenth century situated immediately behind the Bolshoi, which has been transformed into a service wing. Due to numerous 20th century reconstructions, the historical interiors of the Khomyakov House have been totally lost. While its main walls have been preserved, the interior layout has been redesigned to meet the Theatre’s present-day requirements. Thus the Khomaykov House, which is linked to the main Bolshoi Theatre building by an underground tunnel, is a key element in the gigantic Bolshoi Theatre complex.

The renovation of the country’s main stage was a landmark event in the lives of a large coordinated team of highest-level professionals. Participating in the project were uniquely qualified specialists whose great feat of labor will earn them the undying gratitude of present-day Bolshoi Theatre audiences.

 

Car

Mokhovaya Street

If you are on Mokhovaya Street keep driving straight ahead, not turning off it, till you reach Theatre Square where the Bolshoi Theatre is situated.

Tverskaya Street

If you are moving down Tverskaya, in the direction of the centre, you will automatically find yourself on Teatralnyi Proezd Street leading to the Bolshoi Theatre.

Petrovka Street

If you are on the Petrovka, which is a one-way street, you will be able to drive right up to the Theatre.

Metro

Take the metro to Teatralnaya (Bolshoi Theatre exit) or Okhotnyi ryad (Theatre Square exit).

 
 
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