» Home   » About us    » Terms/Faq    » News   
 
Facebook Twitter Google +
 
LATEST NEWS
Tickets for  Bolshoi Theater in Moscow
 
Tickets for opera,ballet and classic concerts season in Moscow . Buy online tickets at best prices for the new opera and ballet events in Moscow at Bolshoi Theater. Booking for Bolshoi Theater in Moscow.

Così fan tutte,ossia La scuola degli amanti tickets

» Home    » Bolshoi Theatre Moscow    » Bolshoi Opera Tickets    » Così fan tutte,ossia La scuola degli amanti
 
 
Così fan tutte,ossia La scuola degli amanti

Venue: Bolshoi Theatre

 
Theatre Square, 1
Moscow, Russia
125009
 
 
All dates
Season 2017
 

Buy online tickets

 
Next performance (see season calendar above for other dates)
Così fan tutte,ossia La scuola degli amanti
Wed 08 November 2017
Tickets
Hour Hall Price Tickets Buy
19:00 New Stage
SOLD OUT
 
 
Così fan tutte,ossia La scuola degli amanti
Thu 09 November 2017
Tickets
Hour Hall Price Tickets Buy
19:00 New Stage
SOLD OUT
 
 
Così fan tutte,ossia La scuola degli amanti
Fri 10 November 2017
Tickets
Hour Hall Price Tickets Buy
19:00 New Stage
SOLD OUT
 
 
 
Event details
 
Composer: Wolfgang Amadeus Mozart

Synopsis

 

ACT I


Ferrando is in love with Dorabella and Guglielmo is in love with Fiordiligi, her sister. Don Alfonso outrages the men by stating that the girls will sooner or later be unfaithful to them; he makes a bet with them that he can prove his words within the space of a day, but that Ferrando and Guglielmo must follow his orders completely during that time. Dorabella and Fiordiligi are waiting impatiently and longingly for their lovers. Alfonso, however, arrives instead and imparts the disastrous news that their fiances must leave immediately for the battlefield. The couples swear eternal fidelity and with great difficulty the sisters bid farewell to their lovers. Ferrando and Guglielmo leave for the front. 

Dorabella cannot restrain her despair. The servant girl Despina reacts matter-of-factly and advises the sisters to look for new lovers. Alfonso decides to involve Despina partially in his plans. He introduces her to two exotic foreigners whom he says are in love with Fiordiligi and Dorabella: Despina’s job is to help them obtain their desires. The men’s disguise is complete, for Despina does not recognise them. The sisters are horrified that strange men have gained access to their house. Fiordiligi is offended to the core by their shameless courting and proclaims the steadfastness of her and Dorabella’s fidelity. 

Alfonso has to trust in Despina’s talents for the success of his next plan. She advises the foreigners to pretend to kill themselves for unrequited love. As a miracle-working doctor Despina then seems to save the lives of the two men with a magnet; their complete recovery, she says, can only be completed by a kiss from the two sisters. The women react with horrified indignation to such a suggestion. 
 

ACT II


Despina advises the sisters how to carry out a no-strings-attached flirtation with the two strangers; the two women are now prepared to allow themselves a little amusement with the men. Dorabella chooses the disguised Guglielmo and Fiordiligi the disguised Ferrando. 

The men serenade the women, begging forgiveness for their forward behavior and promising to mend their ways. Alfonso and Despina arrange matters so that the new couples come closer together. 

Dorabella is only too ready to exchange her locket with Ferrando’s picture for a medallion in the shape of a heart offered by the disguised Guglielmo. Their new relationship is thus confirmed. 

The disguised Ferrando has, however, been rejected with disgust by Fiordiligi. Alone, she nevertheless has to admit to herself that she has fallen in love with the newcomer. Filled with remorse, she begs forgiveness for her infidelity to Guglielmo. 

Guglielmo finds it extremely difficult to defend his seduction of Ferrando’s fiancee to Ferrando himself. 
Dorabella is ready to begin a new life with her new lover. 

Fiordiligi is offended by her sister’s behaviour. However, she intends to flee her newly discovered love and decides to go to Guglielmo. She is trying on clothing left behind by Ferrando when the disguised Ferrando himself appears; Fiordiligi can resist him no longer. Don Alfonso explains the lesson that must be learnt from their experiences to the disillusioned men: such is women’s nature. Despina arrives with the message that the sisters are ready to marry the strangers and that the notary is standing by. A double wedding ceremony is improvised and both women have just signed the marriage contracts when Ferrando’s and Guglielmo’s return is announced. The supposed bridegrooms hide in an adjoining room — only to readopt their original characters and to give the sisters the fright of their lives at their supposed return. Don Alfonso shows them the marriage contracts. The boys react furiously, but the sisters beg for forgiveness. Ferrando and Guglielmo would love to believe them, but do not want to experience something like this ever again. Don Alfonso has won his bet: young people cannot arrive at adulthood emotionally unscathed.

 
Program details
 

Opera in two acts

Presented with one interval. 
Running time: 3 hours 40 minutes 
 

Music Director: Stefano Montanari 
Stage Director: Floris Visser
Set Designer: Gideon Davey 
Costume Designer: Dieuweke van Reij
Lighting Designer: Alex Brok
Chorus Master: Valery Borisov
Dramaturg: Klaus Bertisch
 

Conductor - Alexander Soloviev

Fiordiligi, Lady from Ferrara and sister to Dorabella, living in Naples - Anna Kraynikova

Dorabella, Lady from Ferrara and sister to Fiordiligi, living in Naples - Alexandra Kadurina

Guglielmo, Lover of Fiordiligi, a Soldier - Alexander Miminoshvili

Ferrando, Lover of Dorabella, a Soldier - Yuri Gorodetsky

Despina, a maid - Alina Yarovaya

Don Alfonso, an old philosopher - Nikolai Kazansky

 
Venue
 
Bolshoi Theatre
 

On 28 March (17 according to the old style) 1776, Catherine II granted the prosecutor, Prince Pyotr Urusov, the "privilege" of "maintaining" theatre performances of all kinds, including masquerades, balls and other forms of entertainment, for a period of ten years. And it is from this date that Moscow’s Bolshoi Theatre traces its history.

The Bolshoi building, which for many years now has been regarded as one of Moscow’s main sights, was opened on 20 October 1856, on Tsar Alexander II’s coronation day.

On 29 October 2002 the Bolshoi was given a New Stage and it was here it presented its performances during the years the Historic Stage was undergoing massive reconstruction and refurbishment.

The reconstruction project lasted from l July 2005 to 28 October 2011. As a result of this reconstruction, many lost features of the historic building were reinstated and, at the same time, it has joined the ranks of most technically equipped theatre buildings in the world.

The Bolshoi Theatre is a symbol of Russia for all time. It was awarded this honor due to the major contribution it made to the history of the Russian performing arts. This history is on-going and today Bolshoi Theatre artists continue to contribute to it many bright pages.

 

An inherent part of the Theatre’s activities is the presentation of concerts of symphony and chamber works, and of operas in concert performance, thus acquainting the public with works of all music genres. 

Now that the Bolshoi Theatre has two stages at its disposal, one of them its legendary Historic Stage which is at last back in action again, it hopes to fulfill its mission with an even greater degree of success, steadily extending the sphere of its influence at home and throughout the world.

 

The Bolshoi has to a large extent reacquired its authentic historical appearance, lost during the years of Soviet power. The auditorium and part of its suite of halls now look as they were originally conceived by Bolshoi Theatre architect Alberto Cavos. While the former imperial foyer halls have been given back their 1895 decor, this was the year they were redecorated for Emperor Nicholas II’s coronation celebrations. Each reproduced or restored element of interior decoration was made the object of a special project for which separate documentation was collected based on numerous archival and on-site researches.

In 2010 the auditorium suite of halls were renovated: the Lobby, the Main or the White Foyer, the Choral, Exhibition, Round and Beethoven halls. Muscovites were able to admire the restored facades and the renovated symbol of the Bolshoi Theatre — the famous Apollo quadriga, created by the sculptor Peter Klodt.

The auditorium has regained its original beauty. And, just like the 19th century theatergoer, so each member of the public today will be dazzled by its extravagant and at the same time “light” décor. The bright crimson, scattered with gold, draping of the interiors of the boxes, the different on each level stucco arabesques, the Apollo and the Muses plafond — all this contributes to the auditorium’s breath-taking impact.

Special attention was paid to the restoration of the legendary acoustics. International experts did extensive research work and made sure all their technical recommendations were carried out to the letter.

State of the art machinery has been installed in the stagehouse. The Bolshoi Theatre Historic stage now consists of seven two-tier rising and descending platforms. These platforms can easily change their positions, thus the stage can become horizontal, raked or stepped. The stage and backstage area can be united which creates a stage space of incredible depth.

New upper stage equipment, remotely controlled by computer, makes it possible to derive maximum use from lighting, sound and visual effects. Cutting edge rigs have been installed for the deployment of lanterns, special effects apparatus and acoustics. 

The orchestra pit has been provided with extra space under the forestage. This makes it one of the biggest orchestra pits in the world seating up to 130 musicians, which is necessary for the performance of such large-scale works as, for instance, Wagner operas.

The installation of state of the art stage equipment was a unique world-scale project. The reconstruction has doubled the Theatre’s total floor space. Thanks to the expansion of the Theatre’s existing underground spaces (under stagehouse) and to the construction of new underground space under Theatre Square, this has been achieved without any change to the Theatre’s external appearance.

Thus the Theatre has acquired badly needed new space, including an underground concert and rehearsal room, which has inherited its name from the Beethoven Hall, under the Theatre lobby. This hall is a multi-functional space which can be used in different ways. It consists of five main platforms: the central platform is the stage itself, two platforms to the right and left of it can be used either to increase the size of the stage or as audience space. The two remaining platforms form the main space of the auditorium. All of the platforms can be raised to foyer level to create a space for holding formal, receptions. Apart from this concert hall and its auxiliary premises, the rest of the underground space under Theatre Square accommodates a large number of technical, service and staff rooms.

The Bolshoi Theatre reconstruction project also included the renovation of the Khomyakov House, a protected architectural monument of the first half of the nineteenth century situated immediately behind the Bolshoi, which has been transformed into a service wing. Due to numerous 20th century reconstructions, the historical interiors of the Khomyakov House have been totally lost. While its main walls have been preserved, the interior layout has been redesigned to meet the Theatre’s present-day requirements. Thus the Khomaykov House, which is linked to the main Bolshoi Theatre building by an underground tunnel, is a key element in the gigantic Bolshoi Theatre complex.

The renovation of the country’s main stage was a landmark event in the lives of a large coordinated team of highest-level professionals. Participating in the project were uniquely qualified specialists whose great feat of labor will earn them the undying gratitude of present-day Bolshoi Theatre audiences.

 

Car

Mokhovaya Street

If you are on Mokhovaya Street keep driving straight ahead, not turning off it, till you reach Theatre Square where the Bolshoi Theatre is situated.

Tverskaya Street

If you are moving down Tverskaya, in the direction of the centre, you will automatically find yourself on Teatralnyi Proezd Street leading to the Bolshoi Theatre.

Petrovka Street

If you are on the Petrovka, which is a one-way street, you will be able to drive right up to the Theatre.

Metro

Take the metro to Teatralnaya (Bolshoi Theatre exit) or Okhotnyi ryad (Theatre Square exit).

 
 
LATEST NEWS
Tickets for  Bolshoi Theater in Moscow
 
Tickets for opera,ballet and classic concerts season in Moscow . Buy online tickets at best prices for the new opera and ballet events in Moscow at Bolshoi Theater. Booking for Bolshoi Theater in Moscow.
 
Newsletter
© 2017 EUROPERA Ticket GmbH / Moscow Concert
Facebook Twitter Google +
Opernring 4/2/5/20,   Wien-1010
office@moscowoperatickets.com